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  5. Choupo-negro

Populus nigra

Choupo-negro

The lightest hardwood KORENA lists, and the one most often blamed for a fault that belongs to the blade.

  • This species is recorded as commercially grown in Europe. This does not establish where an individual piece was harvested; check its origin details.
  • Grupo botânico. As madeiras de coníferas vêm de coníferas; as folhosas vêm de árvores de folha larga.
  • Família botânica a que pertence a espécie.
Receber aviso quando chegarEspécie de referência. Sem peças em stock neste momento.
  • Adequação ao projeto
  • Em stock
  • Aspeto
  • Trabalho
  • Movimento
  • Preço
  • Segurança e origem
  • Perguntas
  • Dados técnicos

É adequada ao seu projeto?

Ótima para

  • Painted furniture
  • Drawer sides and carcass interiors
  • Lightweight panels
  • Sculpture and carving blanks
  • Plywood core

Sem Choupo-negro na seleção atual

Espécies semelhantes em stock

Não há Choupo-negro neste momento. Estas espécies servem para os mesmos projetos e têm peças disponíveis.

  • Veio de Saman

    Saman

    Samanea saman

    4 peças

  • Veio de Carvalho europeu

    Carvalho europeu

    Quercus robur

    6 peças

  • Veio de Nogueira-europeia

    Nogueira-europeia

    Juglans regia

    12 peças

Receba notificações sobre Choupo-negro

Enviamos um e-mail quando chegam à KORENA novas pranchas de Choupo-negro. Cada peça é única, por isso é importante saber cedo.

Alguns e-mails por mês. Sem spam, pode cancelar a qualquer momento.

Aspeto da madeira

Qual é o seu aspeto

Very pale, creamy white to light grey brown, sometimes with a faint greenish cast in the heartwood, and almost no figure. The texture is fine and even but the wood is notably soft and light at 385 kg per cubic metre, the lightest hardwood KORENA lists. It has a woolly quality under a dull blade that gives it an undeserved reputation for being difficult.

  • Creamy white to light grey brown
  • Occasional faint greenish cast in the heartwood
  • Fine even texture with very little figure
  • Fibra direita, textura fina e uniforme, com muito pouca figura. De branco-creme a castanho-acinzentado claro, ocasionalmente com um ligeiro tom esverdeado no cerne.

Trabalhar esta madeira

Como se trabalha

Easy to work with hand and machine tools, with one specific requirement: sharp cutters are necessary when planing to avoid fuzzy surfaces. This is the whole difficulty with poplar. The fibres are long and soft, and a dull blade drags rather than severs them, leaving a woolly face that sanding only makes worse. With a keen edge and a light cut it machines cleanly. It glues well and takes fastenings adequately for its density.

Acabamento

Its natural role is under paint, and it takes paint very well given the fine even texture and absence of resin. Under a clear finish the pale colour with its occasional greenish cast is unusual rather than attractive to most eyes. Pigment stains blotch, so use a conditioner or a dye. Because the wood is soft, a hardwax oil or a film finish adds useful surface protection.

Secagem

Dries readily and without much degrade, and it is dimensionally reasonable once dry, with volumetric shrinkage of 12.3 percent. The tangential to radial ratio of 9.3 against 4.0 percent is wide, so flatsawn boards will cup. Wet poplar is notably heavy and can carry very high green moisture content, so drying takes longer than the modest final density suggests.

Quanto se irá mover?

A madeira incha e contrai-se na largura à medida que o ar fica mais húmido ou mais seco. Estime o movimento sazonal de um tampo de Choupo-negro antes de desenhar as fixações.

Corte
Local onde será usada

Movimento sazonal previsto

cerca de 10,6 mm

Fixe o tampo com fixadores ou suportes com rasgos, não com cola ou parafusos apertados.

Modelo de retração linear: largura × (retração ÷ 28 % de saturação das fibras) × variação sazonal da humidade. Usa uma retração tangencial de 9,3 % para Choupo-negro. É uma estimativa de planeamento, não uma garantia.

Quanto custa

Segurança e origem

  • This species is recorded as commercially grown in Europe. This does not establish where an individual piece was harvested; check its origin details.
  • Besides the standard health risks associated with any wood dust, no further health reactions are associated with Black Poplar in the source cited here. It is among the less irritating woods in this catalogue to machine.

  • Populus nigra is a floodplain tree, native along river systems across Europe, North Africa and western Asia. Its natural riverside habitat has been heavily reduced by flood control and river engineering, and the wild population is now one of the more threatened tree populations in Europe, though hybrid poplars planted for timber are abundant and unrelated to that concern.

Ler o guia completoNotas detalhadas sobre desenho, alteração da cor, trabalho e estabilidade.+

What Black Poplar actually is#

Populus nigra is a floodplain tree. Its natural home is the riverbank, across Europe, North Africa and western Asia, in the shifting wet ground that flood control and river engineering have largely eliminated over the last century.

That has produced an unusual situation. The wild population of Black Poplar is one of the more threatened tree populations in Europe and the subject of active restoration work, while poplar timber itself is cheap and abundant, because the commercial trade runs largely on planted hybrid poplars. The two facts sit oddly together and are worth keeping separate when you read about the species.

The fuzzy surface problem, which is not the wood's fault#

Poplar has a reputation for machining badly. It plane fuzzy, people say, and the surface goes woolly no matter what you do.

The cited source puts it precisely: sharp cutters are necessary when planing to avoid fuzzy surfaces. That is the entire difficulty.

Poplar fibres are long and soft. A blade with any dullness at all drags them instead of severing them, and they lift into a woolly nap. Sanding the result makes it worse, because abrasive tears more fibre rather than cutting it. So the maker sands harder, gets a worse surface, and concludes the wood is the problem.

With a freshly honed iron, a tight mouth and a light cut, poplar machines perfectly cleanly. A card scraper produces an excellent final surface. This is a wood that is unusually honest about the state of your tooling.

Perguntas dos compradores

Perguntas dos compradores

Why does poplar go fuzzy when I plane it?

+

The fibres are long and soft, so a dull blade drags them rather than cutting them, leaving a woolly surface. Sanding makes it worse by tearing more fibre. The fix is a freshly honed iron, a tight mouth and a light cut, or a card scraper for the final surface. With a sharp edge poplar machines perfectly cleanly, and its reputation for being difficult is really a reputation for punishing blunt tools.

Is it strong enough to build with?

+

For its weight, yes, but it is the softest and lightest hardwood in this catalogue at 385 kg per cubic metre and 2,020 N Janka, softer than Scots Pine. It suits drawer sides, carcass interiors, lightweight panels and anything that will be painted. It is not a work surface and it is not a structural timber.

Is Black Poplar endangered?

+

The wild riverside population is genuinely threatened across Europe, having declined severely through flood control and river engineering, and it is the subject of active restoration programmes. The commercial timber trade is largely supplied by abundant hybrid poplars, which are a separate matter. It is not CITES listed and the cited source reports no IUCN assessment. Provenance is worth checking more carefully here than for most European species.

Propriedades mecânicas

Dados técnicos

Valores de referência publicados. Quando as fontes divergem, é apresentado o intervalo e o valor típico é usado nas escalas acima.

Densidade (kg/m³)Massa por metro cúbico com cerca de 12 % de humidade. A madeira mais pesada costuma ser mais dura e resistente.385 kg/m³
Dureza Janka (N)Força necessária para pressionar uma esfera de aço até metade da sua profundidade na madeira. É a medida habitual de resistência a mossas.2,020 N
MOR: módulo de rutura (MPa)Resistência à flexão: a carga com que uma viga parte.64 MPa
MOE: módulo de elasticidade (GPa)Rigidez à flexão: quanto uma prateleira ou um tampo flete sob carga.7.2 GPa
Retração radialRetração perpendicular aos anéis de crescimento, do estado verde à secagem em estufa. É este o movimento das tábuas de corte radial.4.0 %
Retração tangencialRetração ao longo dos anéis de crescimento. É este o movimento das tábuas de corte tangencial e da maioria das pranchas.
Árvore de Choupo-negro

GrieSoß, via Wikimedia Commons

Not listed in the CITES Appendices, and reported by the source KORENA cites as not assessed on the IUCN Red List. The conservation picture needs care: wild riverside Populus nigra has declined severely across Europe through flood control and river engineering and is the subject of active restoration programmes, while the hybrid poplars grown commercially for timber are abundant. Provenance matters more here than for most European species, and KORENA records the yard and region on every listing.

Choupo-negro: Casca
Casca

Reading a Black Poplar slab#

There is not much to read. Colour runs creamy white to light grey brown, sometimes with a faint greenish cast in the heartwood that fades toward grey with light exposure. It is a natural cast rather than a fungal stain. Figure is minimal.

At 385 kg per cubic metre this is the lightest hardwood in the catalogue, lighter than Norway Spruce, and lifting a slab makes that immediately obvious.

Check for wet pockets. Green poplar carries very high moisture content and is startlingly heavy for what it becomes, and drying takes longer than the modest final density suggests.

What it is for#

Poplar is a secondary timber and it is excellent at that job.

Drawer sides, carcass interiors, web frames, backing panels, plywood core, and above all anything that will be painted. It takes paint very well: the texture is fine and even, there is no resin to bleed, and it needs almost no grain filling.

It is also a sound sculptural blank. Soft, even textured, resin free and inexpensive, it suits larger carved work where mass matters and fine detail does not. For crisp detail, small-leaved lime is the better wood in this catalogue.

What it is not is a work surface. At 2,020 N Janka it is softer than Scots Pine, and a poplar tabletop will mark under ordinary use.

Drying and movement#

It dries readily and without much degrade, which is one of its practical virtues.

Volumetric shrinkage of 12.3 percent is moderate, but the tangential to radial ratio of 9.3 against 4.0 percent is wide, well over two to one, so flatsawn boards cup meaningfully. For a wide painted panel that matters less than it would for a visible top, but it still needs allowing for.

Finishing#

Under paint, poplar is close to ideal and needs no special handling beyond a sealed surface.

Under a clear finish, the pale colour with its occasional green cast reads as unusual rather than handsome to most eyes, and it is rarely the reason anyone chooses this wood. Pigment stains blotch, as on other fine textured pale species, so use a conditioner or a dye.

Because the wood is soft, a hardwax oil or a film finish is worth applying for the surface protection alone.

The provenance question#

This is the one species in this catalogue where the conservation picture genuinely warrants a second look.

Populus nigra is not CITES listed, and the source cited here reports no IUCN assessment, so no status is displayed. But wild riverside populations across Europe have declined severely and are being actively restored, while the commercial supply comes overwhelmingly from planted hybrids that have nothing to do with that decline.

The two are not distinguishable by looking at a board. What distinguishes them is documentation, which is precisely what the KORENA passport records: the partner yard, the region, and the chain behind the slab. On most European species that record is a formality. Here it is worth reading.

Where Black Poplar is the right answer#

Painted furniture, drawer sides and carcass interiors, lightweight panels, plywood core, and sculpture blanks. Any job where low weight and low cost are the requirement and the surface will not be seen or will not be touched.

It is the wrong answer for a work surface, for anything structural, and for anything outdoors, since it is rated non-durable and susceptible to insect attack.

What is the greenish tint in some boards?

+

A natural cast that occurs in the heartwood of some poplar and is not a defect or a fungal stain. It tends to fade toward grey brown with light exposure. Under paint it is irrelevant, which is where most poplar ends up.

Can poplar be carved?

+

Yes, and it is a reasonable carving blank, being soft and even textured with no resin. It does not hold fine detail as crisply as small-leaved lime, which remains the better carving wood in this catalogue, but for larger sculptural work where mass matters and weight does not, poplar is a sound and inexpensive choice.

9.3 %
Retração volumétricaAlteração total do volume entre o estado verde e a secagem em estufa. Um valor menor indica maior estabilidade.12.3 %
Durabilidade natural (EN 350)Norma europeia de resistência natural à deterioração, de 1 (muito durável) a 5 (perecível).Class 5 — Perishable

Fontes

  • The Wood Database — Black Poplar (Populus nigra)(consultado em 2026-08-12)
  • Meier, E. — WOOD! Identifying and Using Hundreds of Woods Worldwide (2015)(consultado em 2026-08-12)

A ter em conta

  • Não indicada para exterior sem tratamentoA durabilidade natural é classe 5 de 5 segundo a EN 350. Mantenha-a no interior ou protegida por um acabamento com manutenção.

Toque numa etiqueta para ver os detalhes.

Resumo

Os níveis usam intervalos fixos em todas as espécies apresentadas pela KORENA, permitindo a comparação direta. O valor medido aparece por baixo de cada um.
DurezaResistência a mossas e desgasteMacia

Dureza Janka: 2020 N

59 % mais macia do que o carvalho-europeu

PesoPeso da prancha ao levantarMuito leve

385 kg/m³

EstabilidadeGrau de movimento ao longo das estaçõesMédio

12,3 % de retração volumétrica

TrabalhoSerrar, aplainar, lixar e colarExigente

3,4 / 5 de média na bancada

Uso exteriorResistência natural à deterioração, EN 350Apenas interior

EN 350 classe 5

  • Serrar · Muito boaQualidade do corte e desgaste causado nas lâminas.1 = difícil · 5 = excelente
  • Aplainar · BoaSuavidade da superfície e tendência para arrancar fibras.1 = difícil · 5 = excelente
  • Lixar · BoaRapidez com que fica lisa sem entupir a lixa.1 = difícil · 5 = excelente
  • Tornear · BoaQualidade do corte e do acabamento no torno.1 = difícil · 5 = excelente
  • Entalhar · BoaNitidez com que conserva os pormenores feitos com goiva.1 = difícil · 5 = excelente
  • Colar · Muito boaFiabilidade das uniões coladas.1 = difícil · 5 = excelente
  • Fixação de parafuso / prego · Muito boaCapacidade de segurar parafusos e pregos sem rachar.1 = difícil · 5 = excelente
  • Curvatura a vapor · BoaCapacidade de formar curvas depois de tratada a vapor.1 = difícil · 5 = excelente

O preço atual da madeira de Choupo-negro na Europa, por metro cúbico antes do IVA. Toque num preço para ver os detalhes.

  • Toros comunsGrandes volumes de madeira redonda corrente vendidos por proprietários florestais e florestas estatais, sobretudo para construção e indústria.A maioria dos preços situa-se entre 105 € e 105 €.Com base em 53 preços de 1 região.Dados mais recentes de 31/12/2025

Porque custa uma prancha mais do que isto?

Estes são preços de madeira em bruto. Uma prancha é o melhor corte de um toro, seco durante pelo menos um ano e depois verificado e medido peça a peça. Apenas uma pequena parte de cada toro se transforma numa prancha.

Fonte: Índice de Madeira KORENA · Dados mais recentes de 31/12/2025

Ver todos os preços regionais